![]() That hidden gem someone is raving about today can be unceremoniously removed from all platforms faster than one can ask, “Who is David Zaslav?” So, with the state of media distribution looking more uncertain than ever before, it’s time to build a new canon of midnight movies that are worth preserving. But as we’ve learned over the past year, anything that streaming libraries give us can be just as easily taken away. On the one hand, it’s never been easier to access a litany of pop cultural oddities. The rise of streaming has been a mixed bag for cinephiles who like to get weird. From boundary-pushing new works to insane misfires of yesteryear, IndieWire After Dark is an ongoing reminder that, yes, there is still something out there that you haven’t seen. ET, we take a feature-length beat to discuss an unapologetically bold movie that we fear is falling through the cracks in the age of streaming. ![]() Our weekly column exploring the funkiest fringe cinema is for anyone who can’t bring themselves to sit through one more midnight screening of “Rocky Horror.” Every Friday night at 11:59 p.m. What do a pregnant Arnold Schwarzenegger, a pansexual soccer himbo, a horny orangutan (with a dubious grasp on consent), and an impeccably dressed mean girl played by Rose McGowan have in common? In addition to being our dream blunt rotation, they’re the kinds of cinematic heroes you’ll only find at IndieWire After Dark.
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